Khvoina Olga Borisovna

Преподаватель

Education

1985–graduated from the Academic Music College at the Moscow State Tchaikovsky Conservatory.
1990–graduated from the Moscow State Tchaikovsky Conservatory
1993–graduated from the postgraduate course at the Moscow State Tchaikovsky Conservatory

Professional Experience (teaching and other)

1990–Present: Teacher of Musical Literature at the Academic Music College, the Moscow State Tchaikovsky Conservatory
1994–Present: Associate Professor of History and Theory of Music at the GITR Film and Television School
1996–2015: Head of the Sound Engineering Department at the GITR Film and Television School
2015–2018: Vice-Rector for Research at the GITR Film and Television School
2015–Present: Executive Secretary, Editor of The Art and Science of Television Scientific Journal
2017–Present: Head of the Theoretical Department of the Academic Music College, the Moscow State Tchaikovsky Conservatory

Academic Degrees, Titles, Awards

Cand. Sc. in Art History,
Associate Professor

Awarded with the lapel badge “For good achievements in culture”,
Acknowledgement of the Minister of Culture of the Russian Federation

Concert Activities

Participation in organizing and conducting concerts, including in the Great and Small Halls of the Moscow State Tchaikovsky Conservatory, in organizing festivals and creativity competitions as an artistic director and member of the jury.

Publications, Methodical Works

Kamerno-vokal’nye zhanry v Rossii pushkinskoy pory: K probleme romantizma v russkoy muzyke [Chamber-vocal genres in Russia of the Pushkin era: On romanticism in Russian music] [Dissertation] (E.Sorokina, Advisor).

Books (co-authored)::
Khvoina O., Okhalova I., Averianova O., & Tsareva E. (Ed.). Russkaya muzykal’naya literatura: Uchebnoe posobie: Vyp. 1 [Russian musical literature: Textbook: Issue 1] (Chapters 1–3). Moscow: Muzyka, 2010.
Okhalova I., Korzun K., Khvoina O., Petrov D., & Tsareva E. (Ed.). Russkaya muzykal’naya literatura: Uchebnoe posobie: Vyp. 4, kniga 2 [Russian musical literature: Textbook: Issue 4, Book 2] (Chapter «A.K. Lyadov»). Moscow: Muzyka, 2020.

Publications:
I eto vse u nas v krovi [And it’s all in our blood]. In M. E. Tarakanov (Ed.), Moskovskiy muzykoved [Moscow musicologist] (pp. 259–266). Moscow, 1990.
Romanticheskaya ballada v russkoy muzyke [Romantic ballad in Russian music]. In E. M. Tsareva, & K. V. Zenkin (Eds.), Problemy romanticheskoy muzyki XIX veka [Problems of romantic music of the 19th century] (pp. 33–47). Moscow, 1992.
Elegii Alyab’eva [Alyabyev’s elegies]. In A. I. Kandinskiy (Ed.), O kompozitorskom i ispolnitel’skom tvorchestve russkikh muzykantov [On composing and performance of Russian musicians] (pp. 29–58). Moscow, 1994.
Muzyka: Ot skomoroshiny do roka [Music: From buffoon to rock]. In M. Aksyonova (Ed.), Entsiklopediya dlya detey [Encyclopedia for children], Vol. 12. Moscow, 2000.
Svetskaya muzyka X–XVII vekov [Secular music of the 10th–17th centuries]. In Yu.S. Osipov (Ed.), Bol’shaya Rossiyskaya entsiklopediya [Great Russian Encyclopedia]. Moscow, 2004.
Muzykal’naya kul’tura XVIII veka [Musical culture of the 18th century]. In Yu.S. Osipov (Ed.), Bol’shaya Rossiyskaya entsiklopediya [Great Russian Encyclopedia]. Moscow, 2004.
Rimskiy-Korsakov—kompozitor-romantik? [Rimsky-Korsakov—Romantic composer?]. In K 100-letiyu V. S. Galatskoy [To the 100th anniversary of V. S. Galatskaya]. Moscow, 2004.
Narod—narodnoe—narodnost’: Iz istorii odnoy esteticheskoy idei [Nation—national—nationality: From the history of one aesthetic idea]. Proceedings of Scientific Conferences “To the 200th anniversary of M. I. Glinka”, Vol. 2. Moscow, 2006.
«Varvar»? «Estet»? «Asket»? Stilisticheskie «manery» Stravinskogo [“Barbarian”? “Aesthete”? “Ascetic”? Stravinsky’s stylistic “manners”]. In T. G. Malinina (Ed.), Iskusstvo epokhi modernizma: Stil’ Ar Deko, 1910–1940-e gody [Art of the era of modernism: Art Deco style, 1910–1940s] (pp. 198–205). Moscow: Pinakoteka, 2009.
Muzyka v epokhu Hi-fi [Music in the era of Hi-fi]. Sovremennye audiovizual’nye tekhnologii v khudozhestvennom tvorchestve i vysshem obrazovanii: Materialy III nauchno-prakticheskoy konferentsii [Proceedings of the III Scientific and Practical Conference “Modern audiovisual technologies in art and higher education”] (pp. 63–65). Saint Petersburg, 2011.
O muzykal’nykh vkusakh sporyat? [Do they argue about musical tastes?]. Sovremennye audiovizual’nye tekhnologii v khudozhestvennom tvorchestve i vysshem obrazovanii. Materialy IV nauchno-prakticheskoy konferentsii [Proceedings of the IV Scientific and Practical Conference “Modern audiovisual technologies in art and higher education”] (pp. 65–66). Saint Petersburg, 2012.
Muzyka vo Vsemirnoy pautine [Music on the World Wide Web]. Muzykal’naya akademiya [Music Academy]. 2014. (4), pp. 57–59.
«Ne otverzhi mene…»: Sud’ba kompozitora Maksima Berezovskogo: Real’nost’ i khudozhestvennyy vymysel [“Don’t reject me…”: The fate of the composer Maxim Berezovsky: Reality and fiction]. In T.G. Malinina (Ed.), Proizvedenie iskusstva kak dokument epokhi: Kollektivnaya monografiya [A work of art as a record of the era: Collective monograph] (Vol 1., pp. 289–295). Moscow: Booksmart, 2014.
«Geometriya zvuka»: Khudozhestvennaya interpretatsiya prostranstva v muzykal’nykh i audiovizual’nykh proizvedeniyakh vtoroy poloviny XX – nachale XXI veka [“Geometry of sound”: Artistic interpretation of space in musical and audiovisual works of the second half of the 20th – early 21st centuries]. Report at the International Scientific and Practical Conference “Architecture at the beginning of the XXI century: Artistic integration processes and methods for their study”. Moscow: Russian Academy of Arts, April 27–28, 2017.
Kak slushat’ «Lunnuyu» sonatu [How to listen to the Moonlight Sonata] [Electronic resource]. Arzamas.academy. 2017. https://arzamas.academy/materials/810
Chto mozhno uslyshat’ v klassicheskoy muzyke [What can be heard in classical music] [Electronic resource]. Arzamas.academy. 2017. https://arzamas.academy/materials/1359
Metodicheskie rekomendatsii po realizatsii mezhvedomstvennogo kul’turno-obrazovatel’nogo proekta «Kul’turnyy normativ shkol’nika» [Guidelines for the implementation of an interdepartmental cultural and educational project “Cultural standard of a schoolchild”] [Co-authored electronic resource]. Roskultproekt. 2019. https://www.roskultproekt.ru/kulturnyi-normativ-shkolnika
«Geometriya zvuka»: Khudozhestvennaya interpretatsiya prostranstva v muzykal’nykh i audiovizual’nykh proizvedeniyakh vtoroy poloviny XX – nachale XXI veka [“Geometry of sound”: Artistic interpretation of space in musical and audiovisual works of the second half of the 20th – early 21st centuries]. In T.G. Malinina (Ed.), Khudozhestvennye miry XXI veka: Puti integratsii arkhitektury i art-praktik: Kollektivnaya monografiya [Artistic worlds of the 21st century: Ways of integrating architecture and art practices: Collective monograph] (pp. 226–233). Moscow: Booksmart, 2019.
Marina Tsvetaeva v Muzykal’nom uchilishche Zograf-Plaksinoy [Marina Tsvetaeva at the Zograf-Plaksina Musical College]. BRE [Big Russian Encyclopedia] [Electronic resource]. 2021.

Workshops and Conferences

Speaker at international academic and scientific and practical conferences in London, St. Petersburg, Moscow, etc. Participant in organization and holding of advanced training courses (Vladimir, Yaroslavl, Simferopol, Kaliningrad, etc.). Organizer of student scientific and practical conferences “A Word about Music”, Dmitry Blum all-Russian creativity competition in musical and theoretical disciplines. Member of the jury of professional all-Russian and regional competitions.

Most Famous Students

Ekaterina Kalinina–musicologist, Cand. Sc. in Art History;
Sofia Gandilyan (Germany)–musicologist, Cand. Sc. in Art History, early music performer (harpsichordist);
Mikhail Iglitsky – musicologist, Cand. Sc. in Art History;
Ivan Velikanov – composer, conductor, creator and artistic director of the “Alta Capella” Early Music Ensemble;
Anna Romashkova – composer, member of the Union of Moscow Composers

Поделитесь этой страницей